Florian Cramer on Tue, 21 Mar 2000 20:54:33 +0100 (CET) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
[Nettime-bold] Re: <nettime> The heart in arthistory |
Am Tue, 21.Mar.2000 um 10:35:54 +0200 schrieb graziella: > For the exhibition "Hanover 2000" with the theme " The heart" I'm > researching "The heart " in how it has been used in art history. I would > be very pleased if anybody could give me tips of artists who work/worked > with this theme (also as netart) during all century's. Titles of books, > names, trends, etc. from the prehistory until now, would be very helpful. You should check out the following book: The Rosicrucian Emblems of Daniel Cramer, edited by Adam McLean, Phanes Press, 1991, ISBN 0-933999-88-7. It contains nothing but emblematic depictions of hearts (with wings, on fire etc.). Perhaps it might also be of interest of you that Neoism <http://www.neoism.org> and the Monty Cantsin multiple name were substantially triggered by the fact that the coiner of Neoism, the Hungarian Istvan Kantor/Monty Cantsin, was sucked into his performance art career and into emigration to Canada when the American mail artist David Zack showed him a color xerox of the bleeding heart of the Virgin Mary in Budapest around 1978. In the late 19th century, Erik Satie published a mock-religious paper "Le Coeur" which contained, among other writings, a "First Epistle of Erik Satie to Catholic Artists and the Entire Christianity". Just some ideas. Florian -- Florian Cramer, PGP public key ID 6440BA05 <http://userpage.fu-berlin.de/~cantsin/index.cgi> please PGP-encrypt private mail _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold