[Nettime-bold] (no subject)

[integer@www.god-emil.dk]

"geert lovink" <geert@xs4all.nl>

>(fwd via kees stad and the pandora list)
>
>Le Monde diplomatique 
><http://www.en.monde-diplomatique.fr/2001/05/03bigsellfrank>
>
>May 2001
>
>Perpetual revolution

YES PL EASE!!!!!!




>http://www.en.monde-diplomatique.fr/2001/05/03bigsellfrank


The page you requested is available only to paid subscribers.


YES PL EASE!!!!!!



nn - my hands are whiter yours. i utilize ultra-lux!!!!!






                                          pre.konssept!Øn  
                                                meeTz ver!f1kat!Øn.     



-

Netochka Nezvanova     - SUPORT-VEkTOR-MASKIN - ISBN: 0140444556 
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>by TOM FRANK
>
>(Author of The Conquest of Cool (University of Chicago Press, Chicago,
>1997) and One Market Under God: Extreme Capitalism, Market Populism and
>the end of Economic Democracy (Doubleday, New York, 2000)
>
>One of the most tenacious myths of the "culture wars" that have been going
>on in the United States for over 30 years is that youth counterculture has
>some sort of innate transgressive power; that the eternal battle between
>hippie and hardhat, disco-dweller and churchgoer, individualist and
>conformist, is every bit as important a struggle as the one between
>classes once was.
>
>This belief in the significance of the war between hip and square is
>accepted as holy writ not only by avatars of academic cultural studies,
>but by our entertainment and marketing industries as well. To tune in to
>prime-time TV programming at any time during the 1990s was to hear
>corporate America, through its advertising, beat the drum for
>"revolution", call boldly for the breaking of "rules", and insist
>defiantly on being "extreme" despite the bosses and suits and
>church-ladies. Every product - from powerful four-wheel drives to tennis
>shoes to lemon-lime soda pops - was presented as the cherished
>accoutrement of youth rebellion, consumed to a Jimi Hendrix guitar solo or
>a favourite passage from Jack Kerouac or the spicy, sassy rhymes of 1990s
>street culture. Cordless drills that finally let you be yourself. Perfume
>dealers who liken themselves to indigenous peoples. Software makers
>determined to give power to the people. Alternative stockbrokers.
>
>Nike, notorious for having its shoes made 






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