[Nettime-bold] Fwd: RHIZOME_RAW: tossin' developerz

[Beatrice Beaubien <i2eye@mac.com>]

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Date: Sat, 13 Oct 2001 02:43:40 -0500
To: list@rhizome.org
From: Curt Cloninger <curt@lab404.com>
Subject: RHIZOME_RAW: tossin' developerz
Sender: owner-list@rhizome.org
Reply-To: Curt Cloninger <curt@lab404.com>

http://homepage.mac.com/jcarusone/iMovieTheater2.html
http://homepage.mac.com/jcarusone/iMovieTheater2.html
http://homepage.mac.com/jcarusone/iMovieTheater2.html
http://homepage.mac.com/jcarusone/iMovieTheater2.html


Work of Sub-Art in the Age of Artificial Reproduction

The flux creates, the corporation profligates. In the trans-gender hallucination, art objects are deprecations of the iterations of the flux -- a flux that uses the corporation as a machine to deconstruct ideas, patterns, and emotions. With the rationalization of the electronic environment, the flux is approaching a point where it will be free from the corporation to consume immersions into the ejaculations of the delphic hallucination. Work of Sub-Art in the Age of Artificial Reproduction contains 10 minimal quicktime engines (also refered to as "AI modules") that enable the user to make developer-oriented audio/visual compositions.

measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it

------------------------------------------------------------------------
Steve Ballmer's work investigates the nuances of surveilance cameras through the use of fast motion and close-ups which emphasize the Artificial nature of digital media. Ballmer explores abstract and monkey-like scenery as motifs to describe the idea of infinite hallucination. Using hulking loops, non-linear narratives, and neo-fascist images as patterns, Ballmer creates meditative environments which suggest the expansion of time...

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