Announcer on 3 Dec 2000 22:16:01 -0000 |
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From: Robert Atkins <robertatkins@earthlink.net> Subject: AIDS and Contemporary Art From: Tetsuya OZAKI <ozaki@blue.ocn.ne.jp> Subject: REALTOKYO/December 2000 From: "ricardo dominguez" <rdom@thing.net> Subject: Fw: Creative Time's DWA Web Action 2000 ready to activate From: Marc Voge <marc@totalmuseum.org> Subject: Web Project 8 -- Web Art in Seoul From: ISEA2000 <isea2000@art3000.com> Subject: Communique ISEA2000/ English version From: "||| || ||||| || |" <vibri@internet.com.uy> Subject: || | || netart_latino database || |||| || || |||||| From: "Pierre Robert" <probert@videotron.ca> Subject: =-a_r_c_h_e---sommaire-- From: "WIGGED.NET" <newsletter@wigged.net> Subject: NEW ISSUE; NEW WORKS; NEW NEWS--december2000/january2001 issue From: "Han Speckens" <Persgal@casema.net> Subject: Fw: You have been asked to join mailghetto From: Redaktion <response@i-love-u.ch> Subject: i love u ezine: "Asphalt" out now! (December 2000 issue) From: MIG <MIG@movingimagegallery.com> Subject: REMINDER: Screamachine performance Sunday 3-4 Subject: Noted Internet Diarist Jasmina Tesanovic Tours Bomb-Flinging NATO Oppressor From: "Bruce Sterling" <bruces@well.com> From: frichter00@gmx.de Subject: become a member of the hyperspace From: press@webnetmuseum.org Subject: Web Net Museum ISEA2000 From: shu lea cheang <shulea@earthlink.net> Subject: IKU.ICA.CYBERSALON. Date: Wed, 29 Nov 2000 13:05:09 -0500 Subject: AIDS and Contemporary Art From: Robert Atkins <robertatkins@earthlink.net> To: Announcer <nettime-l@bbs.thing.net> For Immediate Release THE DECEMBER 1 ISSUE of "ARTERY: THE AIDS-ARTS FORUM" (www.artistswithaids.org/artery) DEVOTED TO ACTIVISM; FEATURES INTERVIEW WITH ARTIST FRANK MOORE, PREMIER PUBLICATION OF NEW SARAH SCHULMAN PLAY AND MUCH MORE Contact: Editor Robert Atkins, artery@allianceforarts.org, 212.662.2961 Artery: The AIDS-Arts Forum, created earlier this year by the Estate Project for Artists With AIDS, is the most acclaimed resource for examining the ever-changing face of the AIDS crisis as reflected in the arts. Part zine, part data base, and part conversational forum, Artery is also sponsoring the ONLY international events calendar of cultural activities for WORLD AIDS DAY/DAY WITH(OUT) ART on DECEMBER 1. (Events can be posted via email at artery@allianceforarts.org.) Artery¹s December 1 theme is ACTIVISM approached from a fresh, stimulating, and accessible perspective. Features include: --A special section devoted to writer Sarah Schulman presenting the premier publications of both her play "The Child" and two essays including "Through the Looking Glass," which will be published next year by University of Wisconsin Press in the anthology "Loss Within Loss," sponsored by the Estate Project and edited by Edmund White; --Jeff Weinstein¹s ode to the pleasures of activism and citizenship; --Michael Bronski¹s surprising interviews with two dozen subjects--including filmmaker Jennie Livingston, transgendered performer Kate Bornstein, comedian Kate Clinton, and Lambda Legal Defense Director Kevin Cathcart--on the origins of their activism; --Jim Hubbard¹s catalog essay on AIDS-activist video for the "Fever in the Archive" exhibition at the Guggenheim Museum opening on December 1; --Don Shewey¹s interview with community-health activist and educator Eric Rofes; and many other features, interviews, reviews, and a round-table discussion. Previews of the issue may be seen online by arrangement with the editor, prior to uploading, the last week of November. Additionally, note that the fall issue of Artery, IN MEMORIAM, is devoted to the memorial impulse. For this informative and sometimes surprisingly irreverent issue, Artery presents a smorgasbord of materials ranging from opinion and commentary, interviews and artworks in a variety of media (including Artery¹s first audio-work), to feature-articles-cum-data-bases about AIDS music, AIDS memorials, and memorial services. The last is a sampling of personal anecdotes about funerals and memorial services both absurd and sublime by writers including Dorothy Alison and Christopher Bram. In addition, this issue offers an incisive and surprising look at what happens to the prices of an artist¹s work after he or she dies, an angry "postcard from grief" by Craig Lucas, as well as reports from the International AIDS Conference in Durban, Provincetown, reviews of plays, films, and much, much more. voice: 212.662.2961 fax: 212.222.4524 editor: Artery: The AIDS-Arts Forum <www.artistswithaids.org/artery> media arts editor: The Media Channel <www.mediachannel.org> #........................... #........................... Date: Fri, 1 Dec 2000 03:39:53 +0900 To: nettime-l@bbs.thing.net From: Tetsuya OZAKI <ozaki@blue.ocn.ne.jp> Subject: REALTOKYO/December 2000 Dear all, I have just updated the cultural webzine REALTOKYO. Renewed are RT's recommendations on this month's Movie/Stage/Music/Clubs/Art/Design/Others. Enjoy! http://www.realtokyo.co.jp/ Weekly update will be done on next Tuesday, the 5th of December. Tetsuya OZAKI Editor in Chief / REALTOKYO ozaki@realtokyo.co.jp http://www.realtokyo.co.jp/ #........................... #........................... From: "ricardo dominguez" <rdom@thing.net> To: <nettime-l@bbs.thing.net> Subject: Fw: Creative Time's DWA Web Action 2000 ready to activate Date: Thu, 30 Nov 2000 14:41:19 -0500 >Greetings from the DWA Web Action 2000. > >Hope you have a moment to click into our DWA Web Action 2000 site! >This year's collection of banners is mighty lovely. Contributing >artists include > > Auriea Harvey & Michael Samyn, Lew Baldwin, > Ben Benjamin & Chisato Uyeki, CB Cooke, > R. Dominguez & Diane Ludin, Leslie Harpold, > Yael Kanarek, Mary Magsamen and Stephan Hillerbrand, > MTAA, RTMark, Vivian Selbo, > Yoshi Sodeoka and others > >Please forward the invitation. We want to explode the network! > >Best, >Carol > >========================= > >CREATIVE TIME WEB ACTION >DAY WITHOUT ART 2000 > >www.creativetime.org/dwa > >On December 1^×World AIDS Day^×celebrate the premiere of Creative >Time's DAY WITHOUT ART WEB ACTION 2000. > >Lights! >The Banner Project returns with a new series of downloadable banners >from a global network of designers and artists. By posting these >banners on your website, you ensure a spotlight on these vital >responses to this pressing health crises. Link up to the nexus at >www.creativetime.org/dwa and send an email with your web site and URL >to dwa@creativetime.org. > >Camera! >Creative Time and D-Film present CineVirus: Make A Scene, a digital >community space for you make your personal response to the HIV/AIDS >pandemic visible. Upload your own digital video, and show us what >AIDS looks like now. > >Action! >HIV/AIDS is a public issue. It demands a public response. As part of >its 27-year commitment to bring art to public spaces, Creative Time >invites you to join this digital coalition by posting a banner to >your own website, or adding your vision to the CineVirus series. Just >as individuals make up the public sphere, it is individual stories >that define the AIDS crisis. Make sure yours is not forgotten. > >www.creativetime.org/dwa > >............................................. >Carol Stakenas @ Creative Time >307 7th Ave #1904 NYC 10001 >www.creativetime.org >(212)206-6674 x201 (Fax)255-8467 #........................... #........................... Date: Fri, 01 Dec 2000 21:26:29 +0900 From: Marc Voge <marc@totalmuseum.org> To: nettime-l <nettime-l@bbs.thing.net> Subject: Web Project 8 -- Web Art in Seoul Web Project 8 -- Web Art in Seoul http://www.totalmuseum.org/webproject8.html info@totalmuseum.org The Total Museum of Contemporary Art, Seoul, presents: Web Project 8, December 1, 2000 - February 1, 2001 An online exhibition of new Web works by 8 artists: Superbad (Ben Benjamin) Diane Bertolo Young-hae Chang Heavy Industries Jeong-hwa Choi Jodi (Joan Heemskerk, Dirk Paesmans) The Candy Factory (Takuji Kogo) Olia Lialina Alexei Shulgin Marc Voge, guest curator marc@totalmuseum.org ____________________________________________ To whom it may concern: It would be great, and I would be much obliged, if you could add this announcement to your list. Thanks, Marc Voge #........................... #........................... Date: Fri, 01 Dec 2000 13:38:05 -0800 From: ISEA2000 <isea2000@art3000.com> To: eliza@art3000.com Subject: Communique ISEA2000/ English version ÿISEA2000 Revelationÿ ÿÿÿÿINTERNATIONAL SYMPOSIUM ON ELECTRONIC ART ÿorganised by ART3000ÿ ÿÿ ÿÿ ÿÿÿÿTHE MAJOR ART DIGITAL EVENT FOR THE FIRST TIME EVER IN FRANCE ÿFROM 7th TO 10th of DECEMBERÿ ÿÿ ÿÿÿÿat FORUM DES IMAGES and at UNESCO and throughout the month of December, in more than 30 cultural venues in Paris. ÿMULTIDISCIPLINARY EVENTÿ ÿÿ ÿÿÿÿÿ(plastic arts , dance, music, electronic theater, image, architecture,ÿ ÿÿÿdesign^Ê)ÿ ÿÿ ÿÿ ÿÿÿÿÿYOU MAY STILL REGISTER.ÿ ÿÿ ÿÿ ÿÿÿÿÿTO FIND A COMPLETE PROGRAM ANDÿ ÿÿ ÿÿÿÿÿconditions of registration, visit :ÿ http://www.isea2000.com Information ART3000 : 0033 1 46 48 66 36 #........................... #........................... From: "||| || ||||| || |" <vibri@internet.com.uy> To: "<artef@ctos virtuales>" <arsnova@mail.com> Subject: || | || netart_latino database || |||| || || |||||| Date: Fri, 1 Dec 2000 14:59:17 -0300 ______________________ ar t e f act o s v ir t u a l e s || | | | | | | | | | || | | | | | | ¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦¦ ^Í http://www.netart.org.uy/ ^Í ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ netart_latino database URL: http://www.internet.com.uy/vibri/netart_latino.htm any contributions/corrections are welcome! b.r.i.a.n :) Brian Mackern------------------------------------------- http://www.netart.org.uy/ vibri@internet.com.uy --------------------------------------------------------------- Montevideo-Uruguay #........................... #........................... From: "Pierre Robert" <probert@videotron.ca> Subject: =?iso-8859-1?Q?---a_r_c_h_=E9_e---sommaire---=3Cd=E9c._00=3E---_?= Date: Fri, 1 Dec 2000 15:47:58 -0500 ---a r c h é e---sommaire---<déc. 00>--- http://archee.qc.ca/sommaire.htm __!!!__Bienvenue aux nouveaux abonnés__!!!__ ___UN COMPTE RENDU COMMENTÉ DU LIVRE /WORLD PHILOSOPHIE/ DE PIERRE LÉVY___ Après des siècles de tergiversations dualistes sur les liens et les rapports plus ou moins heureux entre le corps et l'esprit, Dieu, l'éther ou la métaphysique, Pierre Lévy aborde courageusement dans ce livre une synthèse évolutive de l'humanité dont l'expression futuriste dérange par son applicabilité. http://archee.qc.ca/ar.php3?btn=texte&no=141 ___UN ENTRETIEN AVEC PIERRE LÉVY___ «Si nous prolongeons la tendance vers l'interconnexion et la communication en temps réel que nous connaissons depuis l'invention du langage - prolongée par celles de l'écriture, de l'alphabet, de l'imprimerie, des médias électriques, puis numériques - nous voyons que l'évolution semble converger vers une sorte de champ télépathique de l'espèce et peut-être de la biosphère...» http://archee.qc.ca/ar.php3?btn=texte&no=142 ___UNE RENCONTRE AVEC ÉRIC SADIN___ Éric Sadin participait le mois dernier au Salon du livre de Montréal pour y présenter le deuxième numéro de la revue Éc/art S dont il est le fondateur. Un numéro consacré aux textualités dans leur rapport aux nouvelles technologies. «Il y a aussi un phénomène majeur aujourd'hui que j'appelle le devenir image du langage ou l'iconisation du verbal. Les données historiques à la base hétérogènes, d'origines distinctes, par leur réduction au numérique produisent de nouveaux effets d'entrecroisements, de proximité, de collectionnement.» http://archee.qc.ca/ar.php3?btn=texte&no=143 ___UN ENTRETIEN AVEC ALEX GALLOWAY___ prise deux «La spécificité est très importante pour moi. Non pas dans un sens moderniste où il importe de trouver l'essence de l'art, pas du tout. Je prétends que l'art Web possède de grandes forces. En ignorant ces forces on ignore du même coup le potentiel révolutionnaire de l'art en ligne.» http://archee.qc.ca/ar.php3?btn=texte&no=144 __UNE INVITATION AU SALON___ Une invitation à réagir aux différents propos tenus en nos pages par nos distingués invités. Vos opinions, commentaires et critiques sont les bienvenues. Prenez le fil de la discussion. http://archee.qc.ca/salon4/ _Merci à tous ceux et celles qui font de cet espace virtuel un lieu vivant et dynamique_ ---a r c h é e---sommaire---<déc. 00>--- http://archee.qc.ca/sommaire.htm !!!__Bonne consultation__!!! L'équipe a r c h é e http://archee.qc.ca #........................... #........................... Date: Sat, 2 Dec 2000 08:56:01 -0400 To: seththompson@wigged.net From: "WIGGED.NET" <newsletter@wigged.net> Subject: NEW ISSUE; NEW WORKS; NEW NEWS--december2000/january2001 issue WIGGED.NET DECEMBER 2000 E-NEWSLETTER--VOL. I ISSUE 6 Wigged.net (http://www.wigged.net) is a bi-monthly webzine that is focused on bringing innovative short videos, animations and interactive works over the internet. Our mission is to be a showcase, distribution and promotion center for media artists via the World Wide Web. Wigged.net is for audiences seeking innovative alternatives to traditional forms of entertainment. Wigged.net now has video articles! ****************************************** NOW SHOWING Check out featured artists in the new issue of Wigged.net: Humberto Ramirez's Thirst. "Thirst" is a video in which verbal and visual clues converse on the uncertain engagement of discourse and desire. Visual and acoustical layers of language point to an unattainable state valued by the very nature of its absence. "Thirst" is about wanting and the impossibility of completeness at any given time. 2000. United States. Visit the "Now Showing" page at http://www.wigged.net Marikki Hakola's TRIAD Hyperdance. This project is based on "TRIAD NetDance," a live telepresence performance on the Internet between Helsinki, Finland; Tokyo, Japan; and New York City, United States. "TRIAD HyperDance" forms a virtual installation where the audience is invited to interact with the artists and build up new interpretations out of the audiovisual and choreographic elements. 2000. Finland. Visit the "Now Showing" page at http://www.wigged.net Markus Winkler's Medialab. The digital media lab is a stage for experimental art and animations. The site focuses on the human body and ways in which to interact with it. 1999-2000. Austria. Visit the "Now Showing" page at http://www.wigged.net Lou Anne Colodny's In the Negative. Mysterious and brief, this video explores identity and physical, emotional entrapment. 2000. United States. Visit the "Now Showing" page at http://www.wigged.net Michele Beck and Jorge Calvo's from one to two too one. The work is composed of three sections in which the two partners use physical metaphors such as sewing or being stuck together with tape to express their contradictions about merging and separation. 2000. United States. Visit the "Now Showing" page at http://www.wigged.net Lara Frankena's VidBody. This interactive video piece is composed of 9 frames of soft focus black & white video loops, which can run all at once, or one at a time. All video loops are close-ups of the human body in motion. 1998. United States.Visit the "Now Showing" page at http://www.wigged.net Avi Rosen's Free Art. The Webiste, "Free Art" enables every user creating and consuming art as he wishes. Each selection opens a window with random background (one of seven) and random music (one of ten). The windows consist of digital 'ready made' like: images, animations, text and sound. By dragging the components to a desired composition a new artwork is created. The user can also add his own text and mail it to the site. This mode of creation fits with Joseph Beuys words: "I demand an artistic involvement in all realms of life. Whereas I advocate an aesthetic involvement from science, from economics, from politics, from religion - every sphere of human activity. Even the act of peeling potato can be a work of art if it is a conscious act". 1999-2000. Isreal. Visit the "Now Showing" page at http://www.wigged.net Mike Lyda's Search Space. "Search Space" is a series of virtual spaces which represent search engine results in a 3D format. Each space represents an actual search by a web user to the Magellan search engine, and the objects within the spaces correspond to web sites which were returned in the search engine results. The individual vrml spaces were created by viewing search engines as chaotic systems and visulizing their results in three dimensional terms. 2000. United States. Visit the "Now Showing" page at http://www.wigged.net Gebhard Sengmueller's VinylVideo "VinylVideo" is a new, wonderous and fascinating development in the history of audio-visual media. For the first time in the history of technological invention, "VinylVideo" makes possible the storage of video (moving image plus sound) on analog long-play records. Playback from the "VinylVideo" picture disk is made possible with the "VinylVideo" Unit which consists of a normal turntable, a special conversion box (aka the "VinylVideo" Home Kit) and a television. In it's combination of analog and digital elements "VinylVideo" is a relic of fake media archeology. At the same time, "VinylVideo" is a vision of new live video mixing possibilities. By simply placing the tone arm at different points on the record, "VinylVideo" makes possible a random access manipulation of the time axis. With the extremely reduced picture and sound quality, a new mode of audio-visual perception evolves. In this way, "VinylVideo" reconstructs a home movie medium as a missing link in the history of recorded moving images while simultaneously encompassing contemporary forms of DJ-ing and VJ-ing. 2000. Austria. Visit the "Now Showing" page at http://www.wigged.net ****************************************** WIGGED NEWS Check out Peter Schmidegs's article, "John Whitney Circa 2001." See a video article on Tiffany Holme's cd-rom entitled "Littoral Zone." Get a sneak preview to Markus Huemer's "Polke's Pasadena Stones" installation on view at Max Planck Gesellschaft in Munich, Germany from February 2 - March 23, 2001. Find out more about the artists who are featured in this month's issue of Wigged.net. The above articles can only be found on the "Wigged News" page at http://www.wigged.net ****************************************** STUFF YOU NEED Buy cutting edge cassettes, cds and cd-roms that are for sale on the "stuff you need" page at http://www.wigged.net. ****************************************** CALL FOR WORKS Seeking innovative and experimental new media works as well as animation and videos. Please visit http://www.wigged.net and go to the "submit media" page to fill out our on-line registration form and send requested materials. DEADLINE: February 1, 2001 for April/May 2001 issue. ****************************************** PUBLICITY OPPORTUNITY We are looking to promote your upcoming exhibitions and new releases. If you would like for us to promote your work either through our newsletter or Wigged.net webzine, please send your press releases to: Seth Thompson Wigged.net Woodland Interactive Group, Inc. 418 Woodland Ave. Akron, OH 44302 or you may e-mail press releases to seththompson@wigged.net. No file attachments will be accepted. If you have images that you would like to include, please send them via snail mail to the above address. Please Note: To remove your e-mail address from my list simply reply to this message and type the word "unsubscribe" in the Subject field at the top of your reply. If you have more than one e-mail address through which you might be receiving this, please be sure to list them all. Wigged.net newsletter@wigged.net http://www.wigged.net #........................... #........................... From: "Han Speckens" <Persgal@casema.net> To: <nettime-l@nettime.org> Subject: Fw: You have been asked to join mailghetto Date: Mon, 27 Nov 2000 20:57:30 +0100 ----- Oorspronkelijk bericht ----- Van: ListBot Verifier <v-F0A51023892168EB@listbot.com> Aan: <persgal@casema.net> Verzonden: maandag 27 november 2000 20:20 Onderwerp: You have been asked to join mailghetto > The list owner of: > > "mailghetto" > > has invited you to join their mailing list at ListBot. > > YOU MUST REPLY TO THIS MESSAGE TO JOIN THE LIST. > > == Simply reply with a blank message to join. == > > The list owner has included the following welcome message: > =========================================================== > Dear friends, > you've been the "mailghetto" (formerly "mailradek") > subscribers for some time. The list starts to function > again and the issues will appear more often. Please > automatically reply to this message if you want to get > re-subscribed now. If you have any questions or want > to receive a russian-speaking version of the list, > please e-mail: mailgetto@yahoo.com. > > sincerely, > Oleg Kireev > > ("mailghetto" is an unregular posting of different > people's subjective opinions on culture and politics. > All "mailghetto" texts can be reprinted, translated > and published without author's permission. The > previous issues and various materials on Russian > leftist culture and politics can be found at: > www.mailradek.rema.ru, > e-mail: mailgetto@yahoo.com) > > Last issues: mailghetto # 28 on Russian net legislation > mailghetto # 29 P.P.Pasolini's death anniversary > Issues to come: mailghetto # 30 "Against all "P" edition; > mailghetto # 31 electoral technologies in deep Russia > =========================================================== > > > This verification message is used to confirm that we are able to send > you mail, and protects you in case someone forges a subscription > request in your name. If you believe this was a forged subscription > request, ignore this message and you will not be added to the mailing > list. > > If you are having problems using the reply function in your e-mail > client, the address to respond to is: > > v-F0A51023892168EB@listbot.com > > ListBot puts YOU in control, letting you manage all of your list > subscriptions from a single web site. Visit > http://www.listbot.com/cgi-bin/subscriber if you wish to unsubscribe > or manage your list subscription for this or other ListBot lists. > > Visit this list's home page at: http://mailghetto.listbot.com > > Thanks! > > Sincerely, > > The ListBot Team > http://www.listbot.com/ > > > #........................... #........................... Date: Sun, 03 Dec 2000 12:58:04 +0100 From: Redaktion <response@i-love-u.ch> To: response@i-love-u.ch Subject: i love u ezine: "Asphalt" out now! (December 2000 issue) new http://www.i-love-u.ch edition out now! December issue 2000: "Asphalt" visit http://www.i-love-u.ch die redaktion #........................... #........................... Date: Sat, 02 Dec 2000 14:27:18 -0800 From: MIG <MIG@movingimagegallery.com> Subject: REMINDER: Screamachine performance Sunday 3-4 screaMachine Performance schedule: Performances on Sunday, December 3rd from 3pm to 4pm ^ÑDrag^Ò, 15 minutes ^ÑWithout You^Ò, 5 minutes ^ÑEntertainment^Ò, 5 minutes ^ÑUrban Junglism^Ò, 5 minutes MIG / Moving Image Gallery 414 Broadway # 3 FL New York, New York 10013 212.966.4741 mail@movingimagegallery.com http://www.movingimagegallery.com #........................... #........................... Date: Sat, 02 Dec 2000 14:51:25 -0600 Subject: Noted Internet Diarist Jasmina Tesanovic Tours Bomb-Flinging NATO Oppressor From: "Bruce Sterling" <bruces@well.com> To: nettime-l@bbs.thing.net Film at 11... "You are invited to a screening of 'Jasmina's War', a film directed by Dinko Tucakovic and produced by German television. The book is a film version of Jasmina Tesanovic's diary of normality in Belgrade. The screening is hosted by the International Rescue Committee and will take place on December 6 at 6pm. The address is 122 E 42d St, 12th Floor, New York City. ">>This is very important: for building security requirements, you must rsvp and bring a photo id.<< RSVP TO SDAMOFF@YAHOO.COM. PLEASE DO NOT RSVP TO THIS ADDRESS!! "You are also invited to a reading at KGB on December 7 at 7 pm. Jasmina Tesanovic will be reading from her new book, 'Diary of a Political Idiot: Normal Life in Belgrade'. The book is a personal, literary account of daily life in Belgrade from March 1998 until the cessation of the nato bombing. 85 E 4th St, btw 2d av and Bowery. "Please forward to your contacts, thank you." #........................... #........................... From: frichter00@gmx.de Date: Sun, 3 Dec 2000 01:25:18 +0100 (MET) Subject: become a member of the hyperspace ++++++++++++++++++++++++++++++++++++++++++++++++++ ++ DO YOU WONT TO ENTER THE HYPERSPACE ? +++++++++++++++++++++++++++++++++++++++++++++++++++ become a member of the hyperspace. ------------------------------------------------- http://www.4d-screen.de/hyperspace/ in a time, in which always more people travel without arrival, or arrive without travel, a figurated themation of individual livingspheres should be attempted. That means for all the relationships between sense perceptions, imaginary worlds, reflections, and last but not least the relativity of spaces. -------------------------------------------------- werde ein mitglied des hyperspace. ----------------------------------------------- http://www.4d-screen.de/hyperspace/ in einer zeit, in der immer mehr menschen unterwegs sind, ohne noch anzukommen, oder immer mehr ankommen, ohne noch unterwegs-zu-sein, stellt das phänomen der lebens-sphäre eine herausforderung dar. d.h. vor allem, das spannungsverhältnis von sinnlichen wahrnehmungen, reinen vorstellungswelten, reflexionen und nicht zuletzt die relativierung von räumen schlechthin auszuhalten und immer wieder neu zu gestalten http://www.4d-screen.de/hyperspace/ +++++++++++++++++++++++++++++++++++++++++++++++++++ -- Sent through GMX FreeMail - http://www.gmx.net #........................... #........................... Date: Sun, 3 Dec 2000 02:12:41 +0800 From: press@webnetmuseum.org To: press@worldnet.fr Subject: Web Net Museum ISEA2000 French/English UN ARTISTE FRANCAIS LANCE LE WEB NET MUSEUM SUR INTERNET www.webnetmuseum.org Suivez le guide ! L'opportunite ne pouvait etre mieux choisie au moment meme ou se deroule ISEA2000 a Paris ! Il s'agit d'un "musee-action" qui se veut, en meme temps, universite virtuelle de caractere prive, independant et critique. Le "Web Net Museum" existe donc, depuis ce jour, sans avoir attendu personne pour ce faire ! Son apparition, questionnante, transversale, dynamique, innovante... se traduit pour son démarrage avec une exposition en ligne d'art generatif conçue par Louis-José Lestocart : un eventail de travaux d'artistes relevant d'une esthétique en devenir, que nous pensons propre a l'Internet. Le Web Net Museum s'affirme de façon volontariste, carrefour d'echange et d'experiences, reseau de prospection et de reflexion, lieu d'exposition, d'action et de prospective! Ce qui le distingue des institutions "officielles", dites d'art contemporain, c'est le flux informationnel qui devrait le traverser, pour l'activer et l'irriguer de façon permanente, sans risque d'une accumulation intempestive d'objets heteroclites qui fassent soudain bouchon ; qui fassent obstacle a la progression naturelle et nec essaire des idees... Le propre du Web Net Museum etant, avant tout, d'etre : virtuel, evolutif, et a geométrie variable ! En ce mois de decembre 2000, a califourchon sur le dos d'ISEA2000 comme moyen de locomotion circonstanciel et pragmatique, notre objectif reste d'abord de reussir notre introduction sur le second marche du virtuel culturel et numerique...le seul qui en vaille encore la peine. Pour le lancement du Web Net Museum x artistes ont ete choisis. Le choix de leurs travaux et de leurs noms se trouve pleinement assume, ici, par deux personnes : Louis-Jose Lestocart philosophe et Fred Forest artiste. Dans la rubrique "REFLEXION", PIERRE LEVY posera tres prochainement quelques questions a PHILIPPE BRETON, qui en fera de meme en retour (s'il le veut bien ?) a... PIERRE LEVY, apres leurs interviews croisees dans Le Monde Interactif, soulignant des divergences inconciliables sur la question de l'Internet. Des penseurs, des theoriciens, des artistes et des gens de tous poils, qui ont des idees sur ce qui est en train de se passer aujourd'hui, s'exprimeront sur une pensee en marche, s'exprimeront sur l'art, la science, la technologie, la disparition des boucheries, la cherte de la vie,sans s'embarrasser pour autant de lieux communs a la mode, ni du culturellement correct qui semble la regle d'or aujourd'hui ORGANIGRAMME DU WEB NET MUSEUM Présidents d'honneur : Vinton Cerf, USA. Jean-Michel Billaut, France. Artiste fondateur : Fred Forest (www.fredforest.org) Commissaire d'exposition : Louis-José Lestocart Communication : www.agence-art-presse.com Comité scientifique : Annick Bureaud, critique d'art, art nouvelles technologies, Art-Press, France, Pierre Cornette de Saint Cyr, commissaire-priseur, France, Mario Costa, théoricien et critique d'art, Italie,Pierre Lévy, philosophe, Canada, Derrick de Kerckhove, Directeur du Marshall Mc Luhan Program, Canada, Pierre Moeglin, sociologue en sciences de l'information, France, Pierre Restany, critique d'art, France. Contact : press@webnetmuseum.org Les accents de ce message ont été volontairement supprimés -------------------------------------------------------------------------------- AN ARTIST LAUNCHES THE WEB NET MUSEUM ON INTERNET www.webnetmuseum.org Follow the guide ! Opportunity could not be better selected than during the ISEA2000 in Paris ! It is about a " museum-action " which wants to be, in same time, a virtual university, private, independent and critical. The " Web Net Museum " exists , today, without to have awaited anybody with this intention ! Its appearance, questioning, transverse, dynamic, innovating... is translated for its starting with an online exhibition of generative art conceived by Louis-José Lestocart : a range of works of artists concerned with an aesthetics in becoming, which we think link to the Internet. The Web Net Museum continues in a volunteer way, crossing of exchange and experiments, network of prospection and thoughts, place of exhibitions and actions ! What distinguishes it from the " official " institutions, known as of contemporary art, is the informational flow should cross it, to activate it and irrigate it in a permanent way, without risk of an inopportune accumulation of heteroclites objects which make stopper, suddenly : who make obstacle to the natural and essential progression of the thought... The characteristics of the Web Net Museum are, above all, to be virtual, evolutionary, and has variable geometry ! In this December 2000, on the back of ISEA2000 as modern means of transport, we aim primarily, initially in our movement, to work out well our introduction on the second virtual cultural and digital market... For the launching of the Web Net Museum X artists have been chosen. The choice of their works and their names is fully assumes, here, by two people : Louis-Jose Lestocart, philosophical, and Fred Forest artist. In the heading " REFLEXION ", very soon, PIERRE LEVY will ask some questions to PHILIPPE BRETON, who will make the same in return (if he wants it ?) to... PIERRE LEVY, after their crossed interviews in " le Monde Interactif ", underlining irreconcilable differences on the question of the Internet. Thinkers, theoricians, artists and all people, which has ideas on what is occurring today, will be expressed on a moving thought, will be expressed on art, science, technology, the disappearance of butcheries, the high cost of living, inter alia, without embarrassing itself for all that commonplaces, nor for culturally correct which are the golden rules. Honorary presidents : Vinton Cerf, The USA. Jean-Michel Billaut, France. Artist founder : Fred Forest (http://www.fredforest.org) Curator : Louis-José Lestocart, cinéma and art critic Communication : Agence Art Presse (http://www.agence-art-presse.com) Corrections and translations : Jean-Luc Bastin(http://site.voila.fr/correctjlb/) Technical realisation and developments : Pablo Design -Scientific committee : Annick Bureaud, critical of art, art nouveau technologies, Art-Press, France Pierre Cornette de Saint Cyr, appraiser, France Mario Costa, theorist and critical of art, Italy Pierre Lévy, philosophical, CanadaDerrick of Kerckhove, Directeur of Marshall Mc Luhan Program, Canada Pierre Moeglin, sociologist in Sciences of Information, France Pierre Restany, critical of art, France Contact : press@webnetmuseum.org #........................... #........................... From: shu lea cheang <shulea@earthlink.net> Subject: IKU.ICA.CYBERSALON. CYBERSEX @ Cybersalon Sexual assistance for humans Monday 11th December 2000 ICA (institute of contemporary arts), the mall, london SW1 5AH Tube: Charing Cross/Piccadilly xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx Film screenings: @ 4.30pm (=A32.50), 8.30pm (=A34.50), 10.15pm (free for Cybersalon ticket holders) Cybersalon presents the UK premiere of I.K.U- a Japanese cyber-porn film where the Genom Corporation send out replicants to gather data through sex= =2E "I.K.U. invents a future cybersexual universe" (Sundance festival) http://www.i-k-u.com xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx From 6.30pm in the theatre: =A34/=A32 (conc) /=A31.50 (ICA members) Discussion: Speakers: Shu Lea Cheang [artist and director of I.K.U] Cherie Matrix: [Feminists Against Censorship] Seats are limited for the talk- to book call the ICA on 0207 9303647 The talk will be broadcast simultaneously in the ICA bar Live web cast on www.cybersalon.org from 7pm GMT Ask questions remotely via the Web or through text messaging projected into the talk xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx after the talk =A32/=A31.50 From 9pm in the bar and theatre: I.K.U. LiVE jam RENDER #1 VJ: SanFranDisco I .K.U. as a self-mutating digital cinema genre that writes and rewrites sequential render, IKU LiVEjam renders collective cinematic experience. ANTI-Rom launch their Wildlife Supersampler Live music from: Monoman and Manuka Dj Seraphim Pirate TV (Ninja Tune project) invite you to partake in their live web broadcast Featured digital art: interactive sex toys, animations and video work ends: 1am http://www.cybersalon.org xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net