Matze Schmidt on Fri, 24 Dec 2010 16:02:01 +0100 (CET) |
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<nettime> Interview with Tommaso Debenedetti and Matze Schmidt about WikiLeaks |
|<----- Width: 72 Chars - Non Proportional Font: Courier New, 10 ----->| Interview with Tommaso Debenedetti and Matze Schmidt about WikiLeaks 1st Part Matze Schmidt: Mr. Debenedetti, you've been talking to Julian Assange several times the last years and quoted him in connection with the discovery of this new intellectual computer specialist avant-garde. To ask straight forward: Do you think he is fake? Tommaso Debenedetti: Well, I don't believe he is fake. The WikiLeaks project has had so much success the last years, no distinction, fake or original, can change this. It is evidence that so called free information breaks through now. Only this Foucaultian power does not want to see it, wants to prohibit. But who prohibits the truth of alcohol? Matze Schmidt: I am a little bit puzzled. Do you deem a mass drug can be compared to a media system like WikiLeaks which brings up secret, and classified information? Or is your conception of this undertaking a more psychological one? Tommaso Debenedetti: You are right. I am kidding, but it is serious kidding. The common idea, the general idea of mass media is to help us navigating in a sea or galaxy of information. This was changed by the outdated but not outmoded very literary philosophy named postmodernism which acclaimed or, ... oh no, it did not acclaim, it just offered very aggressively something like: Okay, all we have is the text and icons and it's machines, this world is a second nature so let's use it to ..., yah, well, to what? The real fake is not a false truth but the visible, recognizable fake. The twisty wrongly thing which can be discussed. Everything else, every clarity is just conspiracy and theory of conspiracy. The logos of something like this "All Cretans lie, and since I am a Cretan I am lying" is an obscure one, it satisfies the requirements of the written form, but practise is more chaotic, more non-rational. We need more complex theories on that fundamental mechanisms of action in relation to a text or texts. Matze Schmidt: But don't we have for instance Julia Kristeva and intertextuality? Tommaso Debenedetti: Yes but she is just another figure within a system, e.g. Wikipedia. And there one can find Kristeva as the Wikipedia-Kristeva-Version. Remember, fakes are knowable fakes because they're open. Assange seems to be not an open person but an open fake, a figure within an iconic game. We can discuss him as the symbol in a fight. The relation to text ends where the linguistic analysis ends or -- to pun -- the lingusitic turn turns away. This happens when the real world, when the real happens wihtout the principles of textual structures or anti-structures. Jimmy Wales of Wikipedia talks about Wikipedia as a public park, or was it a temple for the brains? They want to fraternize the old Greek culture of literacy with the mass-individual-fast-food-media in the framework of a so called digital public space, the old agora. It is the model of the encyclopedia, the expert knowledge now combined with the everyday knowledge. There is no third for them. Matze Schmidt: What could be the third? Tommaso Debenedetti: A real restructured and restructuring knowledge. You know I wrote this interview with Philip Roth I never made. There is this photo of Roth in his studio shot by the famous James Nachtwey. Roth is standing there right in frotn of the window in a manufactory with an old typwriter here, a computer there, a stand there. He is not in a factory, he blocking the windows, his posture is that of a Goethe, of a writer writing. This must end and then we can find the third or fourth. Matze Schmidt: A very normative score. Julian Assange is a figure expressly designated as a rebel, but did you really met him as you are known for hoaxes and fake interviews? Do you have any proof of the existence of the interview you made? Tommaso Debenedetti: Got o laugh -- no, I guess I lost the tapes. Um, to meet a rebel is a cliché since meeting Che in combat, or since showing myself as a reporter in the vietnam war or since the Zapatistas, who designed themselves as a comic strip to-be and a force to be seen but certainly within a gravity. Matze Schmidt: What did he tell you? Tommaso Debenedetti: You should rather ask me what I asked him. Matze Schmidt: Are his answers less important? Tommaso Debenedetti: No, but they are material, they are mass. The interview as a form of dialogue only generates this fidelity. It is a discipline, your reading is the event. Matze Schmidt: Wouldn't you be interested in the statements of a person our focus is on? Tommaso Debenedetti: Who is the 'our' here, and what is the focus? Andy Warhols decadent interviews where question-answer-games with this mirror in between mirroring the question as a questionable and affirming it at the same moment. Matze Schmidt: Okay, but Julian Assange was not dumb like Blixa Bargeld who once said really nothing verbally in a German Talk Show. Tommaso Debenedetti: All these names -- Assange was telling what everyone seems to know about WikiLeaks and so on. It was less valuable what he said or what his persona looked like than what this interview made with him and the surroundings. The situation fabricated a kind of un-kowledge, so to say. But this is of course just a speculation. A gossip, a mystic outcome followed, as a matter of fact an insecurity. In fact you as an interviewer are helping at this point. He knew I was making interviews with persons I never met. So all we have is like a photo showing the place after the show, like the rests of an echo of a tune. Matze Schmidt: But the big deals are made with artificial sceneries and not with undisguised photos. Commodity is what we have all the time, don't we need more practical valuable stuff? Tommaso Debenedetti: I agree, but criticizing the staging is not qualified anymore alone. We know all these tricks of Verfremdung, alienation, disassociation, bending. This all turned into a style one can sample and reincorporate and recapture. WikiLeaks is mainly about gossip. Isn't it unsurprisingly when you see soldiers killing civilians or when you see the looting of Kenya? The first is war, the second is long-known. Gossip is telling things in the shape of secrets very close to the conspiracy, a plot that explains the world, that simplifies matters. And gossip theory tells that the true or untrue statement has no true or untrue kernel but points out what might come and what was, in the relationships of the producers of the message or the sound. Because truth lies within what can bee forseen and where does it come from, it is a social procedure. Matze Schmidt: This is nothing new. Tommaso Debenedetti: No, but the chatty Web holds a lot of subjects for the swarm scientists, the biological-sociological complex. This crew is talking about old western values that erode and that we as citizens have to define our self and ego. The theory sets the individual and the group anew. They define self-organisation in a non-political way as the organisation of the single self. The organisation of the group is only approved for solving problems. In the end this swarm theory is a utilitarian biologistic one. Does Whistleblower networks give us guidance here? Matze Schmidt: All these people behind Xerox-Guy-Fawkes-masks seem to support exactly this manipulation mechanism when they protest against Assanges arrest. Tommaso Debenedetti: Yes, and at the same time they display the need for representatives that stand for simple methods. Matze Schmidt: This signals crisis. --------------------------- End of 1st Part ---------------------------- Appears in: n0name newsletter #151 www.n0name.de/newsletr.html [German] # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: http://mail.kein.org/mailman/listinfo/nettime-l # archive: http://www.nettime.org contact: nettime@kein.org