Rasa Smite on Fri, 24 Feb 2017 14:54:21 +0100 (CET) |
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Re: <nettime> Armin Medosch (1962-2017) |
> All of these projects, and many more that I cannot > account for personally – and need your help to fill in – where > transdisciplinary, collaborative and exploratory, often ahead of their > times. This is, however, something that the art and the academic > system rarely appreciates. Thanks, Felix! I have a lot to say about Armin's projects “ahead of their times”, as Armin for long time has worked with us - me and Raitis, he was invaluable contributor to most of the largest RIXC's projects. I know him from the 90s, we participated in one of the conceptually most powerful 90s net.culture events - Art Servers Unlimited (1998), co-organized by Armin. But more close collaboration came later, when Armin, me and Raitis, together developed a large scale curatorial project – WAVES – Electromagnetic Waves as Material and Medium for Arts (2006), taking place in National Arts Museum in Riga. Waves was not only challenging the ways how and which kind of art has to be shown in museums, but it suggested new approach in developing media art theory – namely, through curating practices. This exhibition consisted of 40 artworks from all over the world, and was also later shown in Dortmund (2008). http://rixc.lv/waves In 2014, when Riga was European Cultural Capital, we again invited Armin to co-curate an other large scale exhibition – FIELDS, which now manifested new situation in arts - post-media conditions. We selected works that were considered to be “contextual seedbeds for social change,” arguing that “the changing role of art in society is one where it does not just create a new aesthetics but gets involved in patterns of social, scientific, and technological transformations”. Fields (2014) exhibition also shaped strong artistic and theoretical background for Renewable Futures, new travelling art&science conference series, launched by RIXC. http://rixc.org/fields/en/exhibition/3/ (concept by Armin & RIXC) http://rixc.org/fields/en/exhibition/4/ (artists) In-between WAVES and FIELDS, he also was contributing to RIXC’s conferences, and he was co-editor of Acoustic Space, peer-reviewed book & journal series, for editions: Waves (Vol.6, 2006), Spectropia (Vol. 7, 2007), Art As Research (Vol.9, 2010), Networks and Sustainability (Vol.10, 2010), Techno-Ecologies II (Vol. 12, 2014), Open Fields (Vol. 15, 2016). http://acousticspacejournal.com Needless to say, that both these projects are ahead of its time. Especially the Fields project was not approbate yet, time was too short… I met him recently, last November in a cafe, in Vienna, discussing our forthcoming FIELDS / Renewable Futures volume, which will come out soon, in April 2017... just this time without the last touch, last improvements by Armin, which will be missing a lot, as Fields was the concept which still needs a lot of time to be shaped... So the Fields book will come out now in memoriam to you, Armin. But particularly I will be missing our quite frequent, often hard (that's what “critical culture” is about), but always in-depth, fruitful and inspiring discussions with Armin. Or saying it in a more simple words, we feel very sad, as we have lost our friend of RIXC. Rasa and Raitis <...> # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: http://mx.kein.org/mailman/listinfo/nettime-l # archive: http://www.nettime.org contact: nettime@kein.org # @nettime_bot tweets mail w/ sender unless #ANON is in Subject: