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<nettime> Joana Moll: Carbolytics


Aksioma is proud to announce the release of the new commissioned work:

 

Joana Moll

Carbolytics

 

16 February–11 March 2022

 

Aksioma | Project Space

Komenskega 18, Ljubljana, Slovenia

 

Opening day and publication release:

WED, 16 February 2022, 12–9 PM

 

Part of the Tactics & Practice #12: New Extractivism

 

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What are the most polluting categories of cookies?

What are the most polluting organizations, websites and domains in the world by cookie count?

What is the amount of cookies on the top one million websites?

 

These and similar questions are answered by Carbolytics, Joana Moll's new project, commissioned by Aksioma Institute in the frame of konS – Platform for Contemporary Investigative Art.

 

 

ABOUT THE PROJECT

 

Carbolytics is a project at the intersection of art and research that aims to raise awareness and call for action on the environmental impact of pervasive surveillance within the advertising technology ecosystem (AdTech), as well as to provide a new perspective to address the social and environmental costs of opaque data collection practices. Online tracking is the act of collecting data from online user activity, such as reading the news, purchasing items, interacting on social media or simply searching online. It is well known that tracking and recording users’ behaviour has become a major business model in the last decade. However, even though the societal and ethical consequences of abusive online surveillance practices have been a subject of public debate at least since Snowden’s revelations in 2013, the energy and environmental costs of such processes have been kept away from the public eye. The global data collection apparatus is a complex techno maze that needs vast amounts of resources to exist and operate, yet companies rarely disclose information on the environmental footprint of such operations. Moreover, part of the energy costs of data collection practices is inflicted upon the user, who also involuntarily assumes a portion of its environmental footprint. Although this is a critical aspect of surveillance, there’s an alarming lack of social, political, corporate and governmental will for accountability, thus a call for action is urgent.

 

AdTech is the primary business model of the data economy ecosystem or, in other words, the money-making machine that fuels the Internet”.[1] In 2021, the global ad spending across platforms reached $763.2 billion, and it is expected to rise 10% in 2022.[2] Moreover, in 2020, 97.9% [3] of Facebook’s and 80% of Google’s global revenue was generated from advertising, and, excluding China, these companies, together with Amazon, will dominate 80% [4] to 90% of the market in 2022. [5] Yet, despite the extraordinary importance of AdTech within the global economy, its methods and processes are extremely opaque and thus incredibly difficult to control and regulate.

 

In a nutshell, AdTech analyses, manages and distributes online advertising. It encompasses a wide array of players, tools and methodologies, such as ad exchanges, real-time bidding and micro-targeting, which heavily rely on user data in order to effectively target and deliver advertising. Hence, data collection is a key resource to its global supply chain. But how is user data actually being harvested?

 

Typically, data is collected through a user’s device through cookies and other tracking technologies integrated into devices, web pages, apps and all kinds of interactive and audiovisual digital content. Despite being created and stored in the user’s device, tracking technologies are mostly undetectable to the average user, which makes extracting large amounts of user data a relatively easy task. Moreover, despite their invisibility” and relatively small size, tracking technologies are responsible for triggering millions of algorithmic processes that ultimately facilitate trading in data on a global scale, nurturing an ever-growing ecosystem that densely relies not just on exploiting user data but also on sucking out the power of the user’s device to actually function.

 

The research behind Carbolytics identifies and analyses the carbon emissions of the total number of cookies belonging to the top one million websites. The investigation identified more than 21 million cookies per single visit to all these websites, belonging to more than 1200 different companies, which translates to an average of 197 trillion cookies per month, resulting in 11,558.16 metric tonnes of CO2 emissions per month. Its important to understand that this number reflects browser-based cookie traffic and does not include App tracking activity, so we estimate this number to be dramatically higher. [An extensive report on the research is available here.]

 

Carbolytics is an interactive web-based installation that shows the average global cookie traffic in real time, or in other words, displays how cookies are parasitizing user devices to extract personal data and feed it into a massive yet obfuscated network of organisms.

 

Finally, by introducing this analysis on climate and collective rights, Carbolytics seeks to add an often unexplored but critical layer to the traditional individual rights-based criticism of the AdTech industry, while providing strong evidence to inform the many communities that advocate for tech and climate change accountability.

 

[1] Hwang, T. (2020). Subprime Attention Crisis: Advertising and the Time Bomb at the Heart of the Internet. New York: Fsg Originals X Logic, Farrar, Straus And Giroux.

[2] Hayes, D. (2021, December 7). Advertisings Robust Recovery This Year Will Be Followed by Double-Digit Gains in 2022, Media Agencies Predict. Deadline. Retrieved January 25, 2022, from https://deadline.com/2021/12/advertising-recovery-2021-covid-forecast-2022-digital-1234885438/

[3] Facebook Ad Revenue 2009–2018. (2021, February 5). Statista. Retrieved January 25, 2022, from https://www.statista.com/statistics/271258/facebooks-advertising-revenue-worldwide/

[4] Graham, M., & Elias, J. (2021, May 18). How Googles $150 Billion Advertising Business Works. CNBC. Retrieved January 25, 2022, from https://www.statista.com/statistics/271258/facebooks-advertising-revenue-worldwide/

[5] Adgate, B. (2021, December 8). Agencies Agree; 2021 Was a Record Year for Ad Spending, with More Growth Expected in 2022. Forbes. Retrieved January 26, 2022, from www.forbes.com/sites/bradadgate/2021/12/08/agencies-agree-2021-was-a-record-year-for-ad-spending-with-more-growth-expected-in-2022

 

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Joana Moll is an artist and researcher investigating topics such as internet geopolitics, data materiality, surveillance, techno-colonialism and interfaces.

 

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VISIT THE PROJECT

 

https://carbolytics.org/

 

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PUBLICATION

 

Matthew Fuller
Analysis, Exposure and Addition: The Aesthetic and Ecological Logics of Joana Molls Carbolytics
PostScriptUM #40

Available as free PDF or print on demand

In this essay, artist, writer and professor of cultural studies Matthew Fuller, known for his work in media theory, software studies, cultural studies and contemporary fiction, delves into the work of Joana Moll and outlines how Carbolytics exposes a working approximation of the hidden and outsourced pollution of digital capitalism.

 

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REFLECTION

 

Marta Peirano

New Tools for Collective Supervision

Marta Peirano, a journalist specialising in technology and power, offers further thoughts on the relevance of Joana Moll's latest project in a short essay where she recognises Carbolytics as a tool for a much-needed better understanding of the internet and those exploiting its flaws.

 

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RELATED EVENTS 

 

Joana Moll
Data Extraction, Materiality and Agency
ARTIST TALK at Cukrarna, Ljubljana
16 February 2022, 7 PM

 

Joana Moll
The Hidden Life of a Browser
WORKSHOP at the Academy of Fine Arts and Design, University of Ljubljana
16–17 February 2022, 2–
5 PM

 

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CREDITS

Production:
Aksioma – Institute for Contemporary Art, Ljubljana, 2022

Partners:
Barcelona Supercomputing Center (BSC)
Weizenbaum Institute
Sónar+D Barcelona


Part of the series:
Tactics & Practice

In the framework of:
konS – Platform for Contemporary Investigative Art

The project konS:: Platform for Contemporary Investigative Art was chosen on the public call for the selection of the operations
Network of Investigative Art and Culture Centres”. The investment is co-financed by the Republic of Slovenia and by the European Regional Development Fund of the European Union.

 

 

 

Marcela Okretič

Aksioma | Institute for Contemporary Art, Ljubljana

Aksioma | Project Space

Komenskega 18, 1000 Ljubljana, Slovenia

gsm: + 386 – (0)41 – 250830

e-mail: marcela@aksioma.org

www.aksioma.org

 

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