[nettime-lat] [info] paseos con arte al fondo: 0100101110101101.ORG

[nilo casares <nilo@uv.es>]

ciclo::::::::::::::::::::::::paseos con arte al fondo

presenta:::::::::::::::::::::0100101110101101.ORG

patrocinio:::::::::::::::::::cam (caja del mediterráneo)

dirección::::::::::::::::::::nilo casares

fecha::::::::::::::::::::::::25.09.2002/19h00m


sala:::::::::::::::::::::::::aula de cultura cam
:::::::::::::::::::::::::::::pza. del mercado, 4
:::::::::::::::::::::::::::::46002- valencia
:::::::::::::::::::::::::::::t: +34 963913396


::::::::::::::::paseos con arte al fondo::::::::::::::::

una didáctica del arte contemporáneo para presentar las claves de 
nuestros días, porque la didáctica del arte es imprescindible para 
que la gente vaya por él como por su casa con la misma familiaridad 
que el arte moderno obtiene de la escuela y las costumbres bien 
asumidas.

este recreo pausado tiene la duración extensa del año académico, con 
inicio en septiembre y término en junio.

los paseos cobran tantas formas cuantas requieran el interés y las 
características de lo presentado, conferencias, introducciones 
específicas, presentaciones de obras y visitas guiadas por sus 
autores, mesas de discusión, performances, interpretaciones 
artísticas cada mes y siempre en su última semana.

paseos con arte al fondo, un acontecimiento repetido para hacer del 
arte contemporáneo la costumbre abierta que nos falta.


:::::::::::::::::::0100101110101101.ORG::::::::::::::::::

il lavoro di 0100101110101101.ORG è stato mostrato e commissionato 
internazionalmente in occasione di: "manifesta 4", frankfurt 2002; 
"mediations", austrian cultural forum, new york 2002; "intermedium2", 
zkm, karlsruhe 2002; "korea web art festival", seoul 2001; "49th 
biennale di venezia", 2001; valencia biennial 2001; "double life", 
generali foundation, wien 2001; "jerome commission", walker art 
centre, minneapolis 2000; ars electronica 2000, linz; "zac99", musée 
d'art moderne de la ville de paris 1999. il loro lavoro è stato 
recensito e pubblicato in: the new york times, el pais, britannica, 
wired, berliner zeitung, le monde, haaretz, and temaceleste among 
others.

curriculum vitae dettagliato:
HTTP://WWW.0100101110101101.ORG/home/gui/diplomazia.html

rassegna stampa dettagliata:
HTTP://WWW.0100101110101101.ORG/home/meta/press/


::::::::::::::::::::::::description:::::::::::::::::::::::

nobody knows with precision who's hidden behind the name 
0100101110101101.ORG. anything has been said about this renegade 
cyber-entity, accused of being "simple thief", dubbed as "media 
dandy" and "cultural terrorists". they are the authors of some of the 
most perfect media exploits of the last years, such as the creation 
and diffusion, at the opening of the 49th venice biennial, of the 
computer virus "biennale.py" or the memorable theft of the art 
gallery hell.com. a famous art website, covered by password and 
copyright and accessible only to a close group of subscribers. their 
most enigmatic work, to which they attend since years, is called 
glasnost - transparency - and consists on monitoring the data trail 
that a person produces while living. with the project life_sharing 
they opened up and made public all the contents of their own 
computer, transparent and accessible from the whole world through the 
internet, in real time. ideas, projects, archives, databases, bank 
account and even the private mail are visible by whom has no fear of 
getting lost in that huge labyrinth of data. since the beginning of 
the project vopos they wear a gps transmitter that, exchanging 
data/coordinates with the satellites, transmits on their website, in 
real time, their exact position on the urban environment.
-- 



copyleft (todos los derechos al revés) by nilo casares



^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&
beijos em espiral:: besos en espiral:: besades en espiral:: baisers
en spirale:: baci a spirale:: spiral kisses :: spiral kyssar::
spiraalzoenen
^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&^&
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