Horea Avram on Thu, 4 Oct 2012 07:42:41 +0200 (CEST) |
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[Nettime-ro] Fake It! (Limited Edition) - exhibition opening |
*Fake It! (Limited Edition)* Curator: *Horea Avram* Artists: *OndÅej Brody & Kristofer Paetau* (CZ/ FN/ DE/BZ) *Radu ComÅa *(RO)** *IstvÃn LÃszlÃ* (RO/IRL) *Pascal LiÃvre* (FR) *Michael Mandiberg* (US) *Cristian OpriÅ *(RO) *Florin Åtefan *(RO)** *Marius TÃnÃsescu *(CA/RO)** *Bogdan Teodorescu *(RO)** ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ *Opening: October 5, 2012, 7:00pm* * * *Spatiu Intact* *Fabrica de pensule,* Henri Barbusse 59-61, Cluj www.fabricadepensule.ro ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ The idea of fake is understood here in a wider sense, as a critical thinking tool, as an instrument for approachingâequally with deference and irreverenceâthe established models of the art history, of the media and popular culture. This exhibition is conceived as a possible site of reflection upon the fate of the âfakeâ nowadays; as an opportunity to challenge and question the actual relevance of a concept with so many variables, meanings and interpretations. Pop Artâs serialism, appropriationism, simulations, mash-up, cut-and-paste, or simply copy-paste are different manifestations of the same idea of fake. Such a diversity proves that working with âfakeââas a concept and as a meansâis not linked to a specific trend, technique or time period. It is rather the mark of an attitude and a way of doing things. âFakeâ means in this context not only copy or surrogate, that is, an entity that loses its aesthetic, conceptual or functional identity once entered into the circuit of reproductions and simulations. âFakeâ can suggest also the possibility of the original, however controversial this proposal might beâhence the subtitle âLimited editionâ. Thus, the way in which these works engage and relate to the model is equally subversive and constructive, critical and conciliatory. The âsourcesâ to which the works of this exhibition make reference are appropriated, diverted, plagiarized, or parodied with various visual and tactical means: from video to object, to photography, performance and online intervention. In this sense, the idea of fake is seen not only as a working instrument confined to the art field but one that addresses directly the larger context of culture, society and politics. Therefore, the imperative of the title points precisely to the evident actuality and implicit diversity of such a theme. Horea Avram ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ The exhibition is part of the project âContemporary art factoryâ, cultural project organized by Fabrica de pensule and supported by National Cultural Fund Administration, Romania. Sponsors and partners: FloraParc, Kiosk, CasaBio ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
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