| Catalin Gheorghe on Fri, 7 Jun 2013 14:16:04 +0200 (CEST) |
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| [Nettime-ro] IonuÅ Toma @ Vector Studio: 13.06.2013, 6 pm |
IonuÅ Toma @ Vector Studio: 13.06.2013, 6 pm  for English version please scroll down ---------------------------------------------------  INTERLOCK intervenÈie expoziÈionalÄ de IonuÅ Toma  curator: CÄtÄlin Gheorghe  Galeria apARTe (Facultatea de Arte Vizuale Åi Design, str. SÄrÄriei 189)  Perioada expunerii: 13-29 iunie 2013 Deschiderea: 13 iunie 2013, ora 6 pm  Proiect aplicat Ãn cadrul programului Carte Blanche aux Jeunes CrÃateurs, susÅinut financiar Èi logistic de Institutul Francez din IaÅi Ãn parteneriat cu Vector Studio (UAGE).  Argument:  â[...] Ãn doar cÃÈiva ani muncitorii au transformat cuburile identice, corbusiene, Ãn spaÈii unice, private, capabile sÄ le aminteascÄ de lucrurile de care viaÈa Ãn uzinÄ Ãi lipsise.â  (Alain de Botton, Ãn âArhitectura fericiriiâ)  Proiectul INTERLOCK propune explorarea introspectivÄ Åi perceperea investigativÄ a spaÈiului domestic, standardizat prin aplicarea unei anumite viziuni a arhitecturii contemporane. Termenul metaforic de âinterlockâ indicÄ deopotrivÄ design-ul unei construcÅii Åi comportamentul asociat, respectiv un set de relaÅii semantice Ãntre conduitele interlocutorilor unui bloc, blocajul identitar al locatarului care interacÅioneazÄ cu blocul Ãn care locuieÅte Åi modurile de percepere Åi participare ale publicului expus intervenÅiei expoziÅionale.  Industrializarea rapidÄ, ale cÄrei consecinÅe au fost accentuate de globalizarea imperativÄ, a forÈat crearea de spaÈii noi de locuire Ãn mediul urban, spaÈii care delocalizeazÄ identitÄÅile Åi semantica lor, aducÃnd prejudicii la nivelul intimitÄÅii locuitorilor, Èi care nu sunt conforme cu viziunile estetice personale. SpaÈiile individuale de locuit nu ocupÄ doar un loc fizic dominat de o tiranie vizibilÄ a mÄsurÄtorilor Èi delimitÄrilor, ci ele re-compun, sub raport mental, identitatea Èi memoria colectivÄ a unei comunitÄÈi.  Sinele se socializeazÄ Ãntr-un traseu prestabilit Èi acÈioneazÄ ca observator; se autoexclude, dar Ãn acelaÈi timp se vede pe el ÃnsuÈi, se comparÄ Èi ÃÈi cautÄ identitatea. ExperienÈa traseelor prestabilite, ca deprinderi comportamentale tipice Ãn spaÈiile de locuit Ãn comun, defineÈte un spaÈiu al alienÄrii.  Ãn raport cu experienÅa sinelui, blocul de locuit devine obiectul de studiu al expoziÈiei Åi oferÄ imaginea unui laborator Ãn care se (re)produc comportamente umane. INTERLOCK transpune identitatea locatarului, a vecinului, a chiriaÈului sau a proprietarului Ãntr-o privire Åi dinamicÄ participativÄ a publicului. Observatorul acestui laborator este adus de la starea unicÄ, individualÄ Èi individualistÄ, la un numitor comun, al participÄrii, prin acord cu actul social al trÄirii ÃmpreunÄ Èi al supravegherii acestui trai. Ãn aceastÄ ecuaÈie, locuinÈa se transformÄ Ãntr-un recipient al unor forme idealizate de stil de viaÈÄ.  Idealul utopic al vieÅii Åi arhitecturii moderniste presupunea o organizare vizualÄ raÅionalÄ a spaÅiului Ãn vederea unei trÄiri estetice Åi morale Ãn comun. Aplicarea principiilor gÃndirii moderniste a partajÄrii spaÅiului locuirii ÃmpreunÄ a implicat Ãn timp o degradare a calitÄÅii perceperii relaÅiilor cu ceilalÅi Åi a proprietÄÅilor ÃnÅelegerii peisajului urban. DeÅi structurarea geometricÄ Åi funcÅionalÄ a spaÅiului interior Åi exterior presupunea un raport echilibrat Ãntre viaÅa intimÄ Åi cea publicÄ, punerea Ãn practicÄ a organizÄrii locuinÅelor Åi a planificÄrii urbane segmentate a creat certitudinea unui clivaj Ãntre aspiraÅie Åi realizare.  INTERLOCK intervine la nivelul conÅtiinÅei vizitatorului asemenea unui dispozitiv estetic care vizeazÄ producerea unei reflecÅii atÃt asupra perceperii dinamicii trÄirii personale cÃt Åi asupra raportului avansat dintre bazele unei structuri arhitecturale ideale Åi cÃmpul real de implementare a locuirii Ãn spaÅiul construit Åi cel urban.â  (IonuÅ Toma Åi CÄtÄlin Gheorghe)   IonuÈ Toma (n. 1987) este masterand al FacultÄÈii de Arte Vizuale Èi Design, Departamentul de ArtÄ MuralÄ, Ãn cadrul UniversitÄÈii de Arte "George Enescu" din IaÈi. A beneficiat de o bursÄ Erasmus pentru specializarea Interior Design la ESAD (Escola Superior de Arte e Design) Ãn Portugalia. Este interesat de design expoziÈional Èi arhitecturÄ sustenabilÄ.   ----------------------------------------   INTERLOCK exhibitional intervention byIonuÅ Toma  curator: CÄtÄlin Gheorghe  Galeria apARTe IaÅi, Romania  June 13-29, 2013  Project applied in the frame of the programme Carte Blanche aux Jeunes CrÃateurs, financially and logistically supported by Institut FranÃais in IaÅi in partnership with Vector Studio (UAGE).  Argument:  âWithin a few years the workers [â] transformed their all-but-identical Corbusian cubes into uniquely differentiated, private spaces capable of reminding them of the things which their working lives had stripped away.â  (Alain de Botton, in âThe Architecture of Happinessâ)  INTERLOCK Project proposes the introspective exploration and the investigative perception of the domestic space, standardized through the application of a certain contemporary architectural vision. The metaphorical term âinterlockâ indicates both a building design with its associated behaviour, and a set of semantic relationships between the conduits of inhabitants (interlocutors) in a (communist) apartment block, the identity blocking of a dweller that interacts with the apartment block where he/she lives, and the modes of perception and participation of the public exposed to the exhibitional intervention.  The fast industrialisation, whose consequences were emphasized by the imperative globalisation, forced authorities to build new living units in urban environment, spaces that de-located identities and their semantics, bringing prejudices to the intimacies of the dwellers and proving discrepancies with their personal aesthetic visions. Individual living spaces do not take just a physical place dominated by a visible tyranny of measurements and delimitations, but they re-compose, mentally, the communitarian collective identity and memory.  The self becomes social on a default route and acts as an observer, exclude himself/herself, but in the same time sees himself/herself, makes comparisons and is looking for an identity. The experience of default routes, as typical behavioural skills in the living spaces, defines a space of alienation.  In relation with the experience of self, the living apartment block becomes the study matter of the exhibition and offers the image of a laboratory in which the human behaviours are (re)produced. INTERLOCK transposes the identity of the dweller, the neighbour, the tenant or the landlord in a participative look and dynamics of the public. The observer of this laboratory is brought to a unique state, individual and individualistic, to a common denominator of participation, in accordance with the social act of living together and the supervision of this life. In this equation, the inhabited space transforms in a container of an idealized form of lifestyle.  Â The utopian ideal of the modernist life and architecture presupposed a rational visual organization of space for a common aesthetic and moral living. The application of the principles of modernist thinking to share the space of living together implied, in time, a degradation of the quality to perceive the relations with others and a degradation of the proprieties of understanding the urban cityscape. Although the geometrical and functional structuration of the interior and exterior space presuppose a balanced relation between the intimate life and the public life, the practicalities of the housing organization and the segmented urban planning created the certainty of a cleavage between aspiration and realisation.  Â INTERLOCK intervenes at the level of the consciousness of the exhibition visitor as an aesthetic device which target the production of a reflection oriented both on the perception of a dynamic personal living, and on the advanced relation between the basis of an ideal architectural structure and the real field of implementation for living in the build space and in the urban space.   (IonuÅ Toma and CÄtÄlin Gheorghe)   IonuÈ Toma (b. 1987) is an MA student of the Faculty of Visual Arts and Design, Department of Mural Art, in the frame of the University of Arts âGeorge Enescuâ in Iasi, Romania. He received a scholarship in Interior Design from Escola Superior de Arte e Design in Portugal. He is interested in exhibitional design and sustainable architecture.  ''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' catalin gheorghe art critic & [counter]theorist vector> studio +Âpublication lecturerÂin aesthetics & visual studies, phd faculty of visual arts and design iasi, romania mobile:ÂÂÂ0040 723 785 816 email:Âcitizen_ka@yahoo.com
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