Nina Czegledy on Sat, 11 Aug 2001 19:01:17 +0100 |
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Syndicate: Acoustice Space Report. |
http://acoustic,space.re-lab.net/lab http://ozone.re-lab.net/live.ram ACOUSTIC SPACE LAB LIVE STREAMING Sunday, August 12, 2001 18:00 h Riga Time LIVE PRESENTATIONS FROM RIGA AS WELL AS REMOTE PARTICIPANTS Including: Adam Hyde Rasa Smite Raitis Smits Derek Holzer Adam Willits Zina Kaye Fee Plumley Zita Joyce Borja Jelic Aljosa Abrahamsbe Susan Kennard Elaine Bomberry, Clausthome + Riga Sound, Francis Hunger Nina Czegledy Honor Harger Recordings from Remote Participants: Joe Banks (Disinformation) Stefan Beck Remote participants: August Black & Manfred Soellner, Peteris Kimelis, and X-Change, Contour.net live from Garage Festival, Strahlsund, Kunstradio live from Vienna. Acoustice Space Report. Nina Czegledy In the first days of August, the Irbene radio telescope -deeply hidden in the Latvian pine forests- became an experimental site for the activities of the thirty-five Acoustic Space Workshop participants. The giant instrument built two decades ago by the soviet military, was only revealed to the general public in 1993. It took three years after the withdrawal of the army, to remove metal pieces thrown into mechanical devices (by the departing forces), to repair drive-electronics drenched in sulfuric acid, to dislodge nails from the cables, locate pierced cables and so on. Finally, in 1996 the telescope became once more operational. Currently it is used for research, educational purposes and (due to lack of state funding) occasionally rented to various groups. Rasa Smite and Raitis Smits of re-lab, Riga, found out four years ago about the telescope. While they were aware of some local art projects, using the dish as an aesthetic construct, they became intrigued with the possibilities of utilizing this powerful acoustic receiver for purposes other than aesthetic or strict scientific observations. As a result of this speculation and following careful workshop planning with Derek Holzer, workshop participants had this amazing opportunity to visit and work in Irbene. Sound and media artists from all over the globe were scaling for three days the steep steel ladders with recorders, cameras, navigated the inner surface of the immense dish with a variety of devices while underneath in the bowels of the building, instruments hummed, networked computers buzzed, synthesizers whizzed and Dmitry Bezrukov custodian of the telescope, expertly directed the movements of the Big Dish. Workshop participants began to arrive on Friday, August 3 to Riga. The westbound journey began on Saturday by minibuses with our first stop in Karosta, Today seaside Karosta consists of a mix of dilapidated block buildings, cottages, deserted stone houses, an amazing orthodox cathedral and concrete remnants of the Russian military harbour which was originally established in 1896. During soviet times Karosta was a closed city, with a mostly Russian population which is still at 75%. The army moved out in 1994. Most of the remaining inhabitants have only "non-citizen" status and the unemployment rate is close to 20%. In 1997, two artists, Kristine Briede and Carl Biorsmark in the course of organizing a touring exhibition visited Karosta. They became so fascinated with this unusual place that in 2000 they moved here and last year started to renovate the "Admiral's House", a huge old building, where they established the Open Culture and Information Center K@2. "In this area information has a special meaning, as it is a very isolated place and basic info was unavailable for the longest time to the people living here -said Kristine- when we organized a large art show in one of the empty block buildings we got to know the local kids. We included their artwork in the exhibition and began working with them. From language courses to painting to singing to information on the naturalization process, we are trying to offer a broad range of courses with encouraging results. We began the training of local people with the intent that eventually they take over this place and then maybe we can return to our filmmaking." The group of activists including Kristine and Carl, currently working at K@2 became known in Latvia and beyond through their "Locomotive" produced films, especially Borderlands. Following a great outdoor dinner at K@2 we proceeded to the Down the Tunnels drum and base party at the seaside defense tunnels (dating back to World War I.) The event with invited DJ-s -including our own Francis- was organized by Rigasound.org and Biocodes for a large appreciative crowd, and lasted till the morning. After an overnight stay, the acoustic space caravan continued to the campgrounds of Liepene - our base for the next few days. Next morning we proceeded to Irbene. The unmarked side road leads between deserted block buildings through the pines to the giant telescope. Formerly 2000 people lived in this now abandoned military compound. On site, we learned from Juris Zagars, professor of astronomy, that the telescope was constructed at the end of the seventies, the supporting structure was built by naval engineers in St. Petersburg and the extremely high accuracy surface is due to the parabolic shape of the dish. 800m2 surface with 0.5 mm accuracy. The telescope was originally built for multipurpose operation including space mission control, but it was mostly used for surveillance and interpretation of millions of phone calls and faxes. How was this enormous telescope used by the workshop? As the detailed list of participants is beyond the scope of this travelogue, I will resort to describing our activities beginning with Captain Derek Holzer, workshop coordinator's summary: "Our intention was to use the dish in the radio astronomical capacity - using the existing receivers on the dish to listen to the radio emissions of various cosmic sources including Mars, Jupiter, Venus and the Sun. In addition to acoustic recordings which were made of these sources data was also collected by the computers at the dish which we hope can be converted into midi data. The second project was to fit the antenna with a special feed brought by Marko Peljhan and to tune into the weaker outer edges of directional satellite signals from various networks. These experiments produced the bulk of our audio material. The third experiment was to use the dish as an enormous parabolic acoustic receiver by fitting it with a microphone and panning across the horizon to collect sounds from the immediate terrestrial environment and the 'groaning' of the dish itself." In practice some people were actively involved in using various instruments and collecting data, others were documenting with photos, videos, taking notes for future articles or simply enjoying the experience of being in contact with such a historical scientific monument. Aljosa, Marko and Borja collected signals from satellite communications. They have used this material as a tactical tool rather than signal processing for other purposes. Shane intends to use some of the satellite recordings in his broadcasts for his Sik Sika radio station in Canada. Honor and Derek organized the group dealing with galactic observations. The data from planets, ended up mostly as white noise, even when stepped down it was mostly hiss. "But some of this hiss might be actually from a planet! " said Derek. The Latvian musicians Voldemar, Girts, Gonzalez and Lauris worked tirelessly on synthesizing recorded sources from the dish, filtering some of the galactic data etc., Adam H, Fee and Adam H. were collecting acoustic samples, "We received a considerable amount of wind noise, some man-made noise (people talking walking) and a lot of almost silence, reflecting the strange surrounding environment, whereby such a gigantic technological structure is placed in the middle of an unpopulated Nordic forest." Zina was processing collected data to trigger events and collected samples to make sounds. Snow has been working using Java 3D language on 3D interpretation of raw numerical data of the observations as part of a larger project. Additional interests were also fueled by experiencing the "big dish" and its environment. Steve took amazing portraits with his little digital camera, Elaine explored the surrounding, documenting the sounds and images both on and around the telescope. Francis composed a new sound piece based on "Kislaty dj" a Russian top hit and gave an intriguing presentation on Black Holes. The expedition to the 2 km long tunnels built to connect auxiliary telescopes was yet another amazing excursion. Of course the most amazing experience was watching the "Big Dish" tilt and rotate. This could be watched from a distance outside, however sitting in the so called "submarine" level one was able to see the movements in extreme close-up. Each day after brief interludes at the beach, activities continued far into the night. The site of several laptops exchanging info, pictures, sounds - crammed into the small bedrooms was astonishing.As an ongoing promotion between Monday and Friday the Kunstradio of Vienna broadcasted for ten minutes reports on the spacelabs activities. For the last two days everybody has been feverishly processing data, documentation back in Riga. Part of this is presented nightly at the Casablanca venue and we are also getting ready for the marathon streaming tomorrow with the participation of all the remaining "spacers". This, however is not the end of this project. On September 8, Marko Peljhan will give a performance based on material collected here and other sources, Between September 9-14, a workshop is scheduled to process the collected and new audiovisual data as well as working with real time mixing and incorporating this into a live performance. Furthermore between September 26 and 30 the Riga/Rotterdam Xchange related to these workshop will take place in Rotterdam. The material of all of these workshops will be available on an audio CD. Finally on September 30 a discussion is scheduled within the framework of a Wiretap Sunday evening event to focus on theoretical and conceptual issues of acoustic space with a view of publishing a book on these topics. -----Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/syndicate to post to the Syndicate list: <syndicate@eg-r.isp-eg.de> to unsubscribe, write to <majordomo@eg-r.isp-eg.de>, in the body of the msg: unsubscribe syndicate your@email.adress