Trevor on Sat, 01 May 1999 23:55:20 +0500 |
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Syndicate: In praise of (the madness of) Politicians |
On 01-May-99, Ivan Zassoursky wrote: >Normative theories of democracy presume political process to be more or less >rational. However, we have accumulated so much evidence to the contrary that >perhaps the time has come to view these basic assumptions in a critical >light and - to get rid of them. Indeed, in a complex (democratic?) world perhaps one should not consider the primary function of politicians to be practical. Within a nexus of complex social, economic, moral and political issues -with hidden connections tending to generate paradoxical results and uncertain predictions regarding the outcome -then it becomes almost impossible to make rational choices regarding any action. Within a diverse society with no common vested interest even a consensus regarding aims and evaluation strategy becomes almost impossible. So all that remains are aesthetic choices -defining complex equilibria of (emotional) choices within a multi-dimensional space of alternatives. So I believe politicians should be concidered as "social artists" who define, create, manipulate or maintain the "social aesthetic". Just as within any art form, the choice between public spectacle and private intimacy, pragmatic oportunism and personal sincerity, form and content, illusion and truth, stability and change -are all part of the work. Just as in any art form, the public accepts the aesthetics it likes and pragmatically tests how applicable they are in daily life: Laws which are not popular are surely impossible to maintain -while behaviour which is supported by the public surely requires no law to preserve it. As the limitations of one aesthetic becomes clear so the urge to try another becomes stronger. Just as within any art form, there will be many popular one-day-wonders and possibly a few works with a more lasting substance. According to the entropic Second Law of Thermodynamics, all systems tend to degenerate towards a (static) state of equilibrium. So perhaps we should be a little careful of politicians who actually "do things" -perhaps it is people continually "improving things" which prevents the system from reaching a state of internal ballance. However, the degree of (internal) static equilibrium or (external) dynamic chaos desired within the system -is of course a purely aesthetic choice! Perhaps the critical problem facing us today is: What are the levels of tolerance of variation in the local aesthetic -within a global system? So then we must also decide how to behave if those levels of tolerance are exceded -is conflict acceptable, or should all solutions be directed towards avoiding conflict? How can one avoid conflict and preserve (true) diversity? Without diversity we shall die of boredom, and will lose our powers of creative regeneration! The art of negotiating the practical relationship between different (and potentially conflicting) aesthetics is traditionally called "Politics". Trevor Batten ------Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/east/ to unsubscribe, write to <syndicate-request@aec.at> in the body of the msg: unsubscribe your@email.adress