<nettime-ann> REMINDER CFP‹Issue 24 Fibreculture Journal: Entanglements:

CFP—Issue 24 Fibreculture Journal:

Entanglements: activism and technology

http://fibreculturejournal.org/cfp-entanglements/

Please note that for this issue, initial submissions should be abstracts only.

Issue Editors: Pip Shea, Tanya Notley and Jean Burgess

Abstract deadline: August 20 2014 (no late abstracts will be accepted)
Article deadline: November 3 2014
Publication aimed for: February 2015

This themed issue explores the entanglements that arise due to frictions between the philosophies embedded within technologies and the philosophies embedded within activism. Straightforward solutions are rarely on offer as the bringing together of different philosophies requires the negotiation of acceptance, compromise, or submission (Tsing 2004). This friction can be disruptive, productive, or both, and it may contribute discord or harmony.

In this special issue, we seek submissions that respond to the idea that frictions between technologies and activists may ultimately enhance the ability of activists to take more control of their projects, create new ethical spaces and subvert technologies, just as it may also result in tension, conflict and hostility.

By dwelling in between and within these frictions and entanglements – through strategic and tactical media discourses as well as the very concept of an activist politics within technology – this special issue will elucidate the context-specific nature, constraints and possibilities of the digital environments that are co-habited by activists from proximate fields including social movements, human rights, ecological and green movements, international development, community arts and cultural development.

Past issues of the Fibreculture Journal have examined activist philosophies from angles such as social justice and networked organisational forms, communication rights and net neutrality debates, and the push back against precarious new media labour. Our issue extends this work by revealing the conflicting debates that surround activist philosophies of technology.

Submissions are sought that engage specifically with the ethics, rationales and methods adopted by activists to justify selecting, building, using, promoting or rejecting specific technologies. We also encourage work that considers the ways in which these negotiations speak to broader mythologies and tensions embedded within digital culture – between openness and control; political consistency and popular appeal; appropriateness, usability and availability.

We invite responses to these provocations from activists, practitioners and academics. Critiques, case studies, and multimedia proposals will be considered for inclusion. Submissions should explore both constraints and possibilities caused by activism and its digital technology entanglements through the following themes:

Alternative technology versus appropriate technology
Pragmatism and technology choice
The philosophies and practices of hacking technologies
Activist cultures and the proprietary web
Digital privacy and security breaches and errors
Uncovering and exposing technology vulnerabilities
Technology and e-waste
The philosophies of long/short term impact
Authenticity and evidence

Initial submissions should comprise 300 word abstracts and 60 word biographies, emailed to p.shea@qub.ac.uk and t.notley@uws.edu.au

References:

Tsing, A. 2005 Friction: An Ethnography of Global Connection. Princeton: Princeton University Press.

All contributors and editors must read the guidelines at:
http://fibreculturejournal.org/policy-and-style/
before working with the Fibreculture Journal

Email correspondence for this issue: p.shea@qub.ac.uk

The Fibreculture Journal (http://fibreculturejournal.org/) is a peer reviewed international journal, associated with Open Humanities Press (http://openhumanitiespress.org/), that explores critical and speculative interventions in the debate and discussions concerning information and communication technologies and their policy frameworks, network cultures and their informational logic, new media forms and their deployment, and the possibilities of socio-technical invention and sustainability.

Pip Shea, PhD

School of Creative Arts

Queen's University Belfast

Sonic Arts Research Centre

4 Cloreen Park Belfast

County Antrim BT9 5HN