George(s) Lessard on Sat, 19 May 2001 19:48:34 +0200 (CEST) |
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[Nettime-bold] CHINESE MINISTRY OF CULTURE BANS...... |
_______________________________________________________ _______________________________________________________ CHINESE MINISTRY OF CULTURE BANS "BLOODY" OR "EROTIC" ART; ARTISTS/PRESENTERS WILL BE JAILED BEIJING, CHINA -- Stating that it upsets social order and damages mental and physical health, the Chinese Ministry of Culture has issued regulations banning contemporary art considered "bloody", violent or erotic, according to the BBC NEWS ONLINE. BBC News Online reports that the Chinese government has recommended jail sentences of up to three years for artists and exhibition organizers violating the ordnance. the sentences will increase up to 10 years for anyone promoting more "serious crimes" such as using animal or human parts. Videos or photographs of prohibited performances are also barred by the new rules. "Some people have made bloody, violent and erotic performances by abusing themselves or animals and exhibiting human corpses in public places in the name of art," the regulations state, according to SOUTH CHINA MORNING POST. (Agence France-Presse) "The rules are far too political and wide-sweeping. Some contemporary concept art is good and some of it is bad or offensive, but the rules do little to distinguish which is which," South China Morning Post quotes Chengdu-based artist Yu Ji as saying. Yu's actions, controversial in China, have included spending a day naked in a glass box filled with live chickens. Potentially the regulations could impact artists such as Zhu Jia, whose DID THEY HAVE SEX?" (1995) uses photographs to record different people's attitudes, and Ma Liuming, whose work has combined female facial makeup with the artists own nude male body. Both artists were included in TRANSLATED ACTS, PERFORMANCE ART FROM EAST ASIA which closed last week at Haus der Kulturen der Welt in Berlin. In works revolving around the perception of the body in the context of the increasingly urbanized and technologized societies of East Asia, the artists included in Translated Acts show "the manipulated, deformed or newly created virtual body as a projection screen for social conflicts and new sexual identities, as a medium of political protest and spiritual recollection," the exhibition stated. Body work, including mutilation, has been a part of contemporary Chinese art since performance art took root in the mid 1980's. In 1989, after the Tian'anmen Square Incident, Chinese performance artist Sheng Qi left Beijing for Rome. Before leaving, he cut off the little finger from his left hand and buried it in a flowerpot. A pioneer in the Chinese body work and performance Art movement Sheng Qi stated, according to CHINESE-ART.COM that although his body drifted abroad, a part of him, his soul, was still deeply rooted in China. "The process of severing a part of my hand will stay with me through my whole life," he said. "No one can escape cruelty, neither myself nor the audience," performance artist Zhang Huan, who was born in An Yang City, China but resides in New York City, writes in a statement included in the Translated Acts documentation. "Once the audience members step into the site of the performance, they become involved in the reality before their eyes. They have nowhere to escape, just as they have no way to escape reality." In "How to Deal with Rights - A Criticism of the Violent Trend in Chinese Contemporary Art", Wang Nanming criticizes Chinese performance art which abuses animals and humans. He writes: "For if we examine it from the angle of the modern free society theory, this violent art is merely carrying on the historical tradition of 'ruffianism', that is to say, the tradition of continuing to violate human rights in a society that has no human rights in the first place." Source/resources: "China crackdown on 'violent' art" BBC NEWS ONLINE -- http://www.bbc.co.uk 10 May, 2001 "Blood, guts and erotica banned by cultural tsars" SOUTH CHINA MORNING POST -- http://china.scmp.com/ZZZBGIOKYLC.html May 10, 2001 TRANSLATED ACTS HAUS DER KULTUREN DER WELT -- http://www.hkw.de/english/culture/+frame_2001.html In 2001 the House of World Cultures invited three visiting curators from the USA to come to Berlin: Yuyeon Kim, Okwui Enwezor, and Salah Hassan present international artistic approaches which have received inadequate attention in Western exhibitions. "With their works, artists from Africa, Asia and the two Americas give a critical treatment to the existing separation between the periphery and the centre and call into question the claim to universality of our western concept of art." In TRANSLATED ACTS: BODY AND PERFORMANCE ART FROM EAST ASIA, Yuyeon Kim investigated new forms of bodily awareness and artistic articulation in the context of increasingly technological societies. In THE SHORT CENTURY (May 17- July 29, 2001) Okwui Enwezor will illuminate the mutual influence between liberation movements and the arts in 20th century Africa. Salah Hassan's project UNPACKING EUROPE (September 14 - November 11, 2001) questions the cultural self-concept of Europe in view of current migration movements, demographic change and increasing racism. Supported by Embassy of Japan, Berlin Embassy of the Republic of Korea, Berlin Ministry of Culture and Tourism of the Republic of Korea Taipeh Representative Office, Berlin. In cooperation with the Queens Museum of Art, New York ABSOLUTEARTS.COM -- http://www.absolutearts.com/ A source of information about arts exhibitions world wide CHINESE-ART.COM -- http://chinese-art.com Wang Nanming "How to Deal with Rights - A Criticism of the Violent Trend in Chinese Contemporary Art" CHINESE-ART.COM -- http://chinese-art.com/Contemporary/volumefourissue2/nanming1.htm _______________________________________________________ *** Via / From / Thanks to the following : :-) :-) Message Ends; Signature File Begins (-: (-: CAUTIONS, Disclaimers, NOTES TO EDITORS and copyright information may be found @ http://members.tripod.com/~media002/disclaimer.htm Because of the nature of email please check ALL sources & subjects. 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